Documenting the Coming Singularity

Monday, December 30, 2013

What will it be like to exist in a virtual world?

aeon Magazine - 12.18.13 by  Michael Graziano

You wake up in a simulated welcome hall in some type of simulated body with standard-issue simulated clothes. What do you do? Maybe you take a walk and look around. Maybe you try the food. Maybe you play some tennis. Maybe go watch a movie. But sooner or later, most people will want to reach for a cell phone. Send a tweet from paradise. Text a friend. Get on Facebook. Connect through social media. But here is the quirk of uploaded minds: the rules of social media are transformed.
IGN/Playstation Home
In the late 1700s, machinists started making music boxes: intricate little mechanisms that could play harmonies and melodies by themselves. Some incorporated bells, drums, organs, even violins, all coordinated by a rotating cylinder. The more ambitious examples were Lilliputian orchestras, such as the Panharmonicon, invented in Vienna in 1805, or the mass-produced Orchestrion that came along in Dresden in 1851.

But the technology had limitations. To make a convincing violin sound, one had to create a little simulacrum of a violin — quite an engineering feat. How to replicate a trombone? Or an oboe? The same way, of course. The artisans assumed that an entire instrument had to be copied in order to capture its distinctive tone. The metal, the wood, the reed, the shape, the exact resonance, all of it had to be mimicked. How else were you going to create an orchestral sound? The task was discouragingly difficult.

Read more>>

Visit my store on Storenvy

Follow me on Twitter. Please subscribe to our news feed. Get regular updates via Email. Contact us for advertising inquiries.