aeon Magazine - 12.18.13 by Michael Graziano
You wake up in a simulated welcome hall in some type of simulated body with standard-issue simulated clothes. What do you do? Maybe you take a walk and look around. Maybe you try the food. Maybe you play some tennis. Maybe go watch a movie. But sooner or later, most people will want to reach for a cell phone. Send a tweet from paradise. Text a friend. Get on Facebook. Connect through social media. But here is the quirk of uploaded minds: the rules of social media are transformed.
But the technology had limitations. To make a convincing violin sound, one had to create a little simulacrum of a violin — quite an engineering feat. How to replicate a trombone? Or an oboe? The same way, of course. The artisans assumed that an entire instrument had to be copied in order to capture its distinctive tone. The metal, the wood, the reed, the shape, the exact resonance, all of it had to be mimicked. How else were you going to create an orchestral sound? The task was discouragingly difficult.
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